21 knives, mostly customs, some production (GiantMouse, Spyderco, Chaves, QuietCarry, CRK, Shirogorov, Strider, Les George, Ed Cope, Anso, Dervish/TAD, Kingdom Armory, SG Knives, RMJ)
Gents, First off, happy Thanksgiving. Hope all y’all are happy and healthy this holiday. I can only carry one knife a day, and over the past couple months I’ve found a few “home run”, all-time-great knives for me that I want to carry all the time. Which means about half my collection, including some really lovely pieces, is not getting carried at all. So it’s time to sell em. NOTES Everything here is priced aggressively. I’m more interested in getting these out of my hands into good homes than I am squeezing every dollar I can out of em. If we’ve worked together before, or you want multiples, message me! Looking to sell. The only things I will consider trades for are John McNees, John Gray or Ed Cope Customs. Last note: Shipping on Monday. I have commitments all weekend that prevent me from getting to the post office. I will probably have things packed before then, but they won’t be on the road til then. Y'all, I'll be cheffin, eatin and with family until about 8PM PST, so I'll be checking timestamps when I get back for the most part. I WILL get back to everybody, so please, if I don't get back to you right away, don't be too concerned! Remember, clear yolos take precedent over offers / asking questions. Thanks! ALBUMSFoldersFixies KNIVES
I love love love LOVE the way this guy looks and feels, but I simply don't like the Insingo blade shape for my needs. I've got a DLC Tanto Inkosi coming, otherwise I couldn't bear to part this one. Even then, priced close to MSRP (has been lightly used, carried a couple times) just because I've gotta get some decent cash to part with it.
Bought off this post, second F95T I've owned and this was the better example. Great action, as expected, and other than the marks noted in the previous post, looks and feels pretty darn new. I may not have the box and card anymore, I'll have to look. The F95T is an amazing blade, but I like my flippers smaller than this one.
The only hype knife drop I've ever been lucky enough to get in on. Super-limited MonkeyEdge AR .75 in 3V, probably one of the toughest folders you'll ever find. Kills me to sell it, but my 3V Demko has always been the one I've grabbed. Unused except for a couple tests BUT there's some surface rust on the engravings. Haven't tried to do anything about it, it might scrub right off.
Can't believe I'm selling this, but as much as I love this knife, I don't carry it. Newer version of the VECP (from this year) running on bearings, extremely smooth action, and a blade that cuts and cuts and cuts. Would make an incredible workhorse. Has been carried like, twice.
Gorgeous knife from the Tom Mayo protege...3.5ish inches of Vegas Forge dammy, old-school-smooth action, literally faultless construction. Only problem is the beautiful mirror edge on here right now is literally dull as a brick, so it'll need sharpening before it gets used. Green schmutz is a brief attempt to strop it, which lasted about 3 seconds before I realized I don't know what I'm doing. I don't think it did a darn thing to the blade.
Lightweight utility EDC from Jens Anso with really interesting patterned G10 handles. This isn't a "hard use" blade, but the sheepsfoot profile comes down to a screaming sharp edge that glides through most materials. Never thought I'd sell this one, but I've got another Haddock on the way from ens, don't need two, and I haven't been reaching for this as much as my various tantos. That said, if this one doesn't sell at this price, I'll keep it and just sell the new Haddock when it comes in.
Just about new from Jens, carried once. The blade shape just doesn't work for what I need from a friction folder. Faultless construction, SUPER slicey blade, bronze gives it a little heft. Just a gorgeous, gorgeous piece. Would cost you $1050 to order the same build from Jens direct.
Similar to the other, gorgeous piece, but I just don't have enough use cases for it. Really interesting little pattern on the CF, super useful blade shape. If this one doesn't sell at this price or close to it, I think I'll just keep it for now.
Nearly new, 1 of 3 in the world. Carboquartz and marbled CF scales, super-drop-shutty, huge-ass 20CV blade running on bearings. Not the sharpest thing in the world, but it's not meant to be. WAY lighter than it looks, would probably be a great semi-outdoors user knife.
Somebody buy this fucking custom, seriously. $1500 table price, Hugin dammy with copper bolsters. Chonky. Only downside is the blade is super thin BTE but not all that slicey. With a bit of sharpening work, should make for an exceptional EDC. Some small marks near the front of the blade from light use.
Got in a trade, lighter-than-it-looks, super flicky full custom from an Indonesian maker. Seen a lot of building hype around this guy, and it's earned...this thing rocks and would make a great EDC. Blade shape is like a bigger Sebenza flipper.
All 3 fixies are in one video. Nearly-new-but-for-some-kydex-scuffs lightweight RMJ hawk in the limited "Explore More" colorway. Super cool little piece that I thought would be a nice "shop axe"...cept I don't have a shop, and what do I need a shop axe for.
Such a hype-y little piece, but it's for a reason...this little mouse is as close to indestructible as anything you'll hold in your hands. Enjoyed having it around, but never used it, so I'll pass it on.
This thing is just MEAN. S35VN, from the drop either this year or last year, forget exactly when. I'm second owner, but I never used it, and I don't think the last guy did, either. Probably not much you can't do with this guy...stab, pry, maybe even cut! Cord-wrapped handle is super comfortable. Never used.
Recently bought off here, it ABSOLUTELY lives up to the hype. Action, ergos, blade shape are all exceptional. GM killed it. Hasn't been used by me cept for a couple cut tests.
Got lucky enough to score one of these from BHQ. Like the Grand, totally lives up to the hype. Surely will be a perfect EDC, and the action is smooooth. Really really nice piece.
Best blade for the price in my collection. WICKEDLY sharp, will bite you if you're not careful. As secure in the hand as anything I've ever used, and the blade shape works exceptionally well for most EDC. Can't recommend the PPT enough.
The knife that really put QC on the map, in the boldest and most practical of colorways. Was carried a few times, loved how slicey this blade was, but hasn't seen pocket time since I got my Terrain365 Mako. This one is lighter and slicier, though.
Another EDC monster from GiantMouse, wonderful little sub-3" flipper that thumb-rolls great, too. More useful than I ever thought it was going to be, and I like the extra heft the bronze gives it.
Strider's new-ish chonky boi. Similar blade length to an SNG with bigger, bulkier, full-Ti handle. Really cool, and I'd be keeping it if I didn't have two SNGs...but I do, so out it goes. Still needs to be broken in.
Gorgeous flipper from Jens with, like all his other work, an exceptionally useful and slicey blade shape. Note, typical for Jens, it also has an extremely strong detent and lockbar tension, so you gotta keep your fingers off the lockbar to launch it...but if you do, it FLIES out. Not drop-shutty, more smooth and even. Here in his gorgeous "cuprum" finish, which is greey with hints of blue and bronze...it's like nothing else out there, and the micro milling completes the look.
No idea what market is for these things these days, so don't yell at me if I'm off. Lightly used, fantastic grind, little bit of rust-lookin stuff in the thumbhole. Beautifully broken in.
I live in a small mining town in the mountains of Colorado. Someone is building a massive casino nearby, Pictures Included
I grew up in a small mountain town named Eureka. It was founded in the late 1800s during the gold rush, but after the mines dried up the town began its slow descent into decay. Half the houses are empty or abandoned now. You can see a picture of the kind of houses here in Eureka: Abandoned House Non-abandoned House When a massive construction project began nearby, it was the talk of the town for weeks. Why would they build something in a sleepy dying town like Eureka? It wasn’t until my sister Selene talked to a few construction workers that we discovered they were building a casino. A casino up in the mountains, over two hours away from Denver. None of us could understand why they’d chosen here of all places. After a few months of work, the casino was done. I took a picture of the town with the completed casino in the background to the right. The ten-story-structure sticks out like a sore thumb off in the distance. Town+Casino After the casino opened, they hired a few dozen members of the town, offering high paying jobs to work as dealers or cleaning staff. I was already employed as a firefighter, but my sister Selene got a job as a blackjack dealer. She’s a widow with two young kids, so the paycheck was a real lifesaver. Still, something about the situation seemed too good to be true. The jobs over there paid far too well, and the management was far too accommodating. The fire station where I work is located high on a hill overlooking the town, so I began watching the casino from a distance each day. I had initially thought that the casino was located in a terrible location, but I was apparently wrong. True, Eureka was hours from any major city, but despite that, a bus full of people arrived every morning and left every evening. One night I was over at my parent’s house and had dinner with Selene and her kids. I asked her about her experience as a dealer. “It’s Ok,” she said. “Just a little boring I guess.” “Boring?” I asked. “I’m surprised you don’t have your hands full.” “Why’s that?” she asked. “It’s like you said, Eureka’s too small. I never have people playing cards. The casino is almost always completely empty.” I wasn’t sure what to make of that. If the place was always empty, what happened to the people who I’d seen arriving on buses? “I’ve been keeping an eye on the building,” I said. “A bus full of people typically arrives around 9 AM every day.” “Really?” she asked, looking confused. “If that’s true, I’ve never seen them. “I can see it from the fire station,” I said. “If you head out for a smoke break at 9 AM, you’ll probably see them arriving.” “Interesting,” she said. “I’ll do that. If they’re being processed for their organs or something, I’ll let you know.” She laughed. “Har har,” I said sarcastically. The next night she sent me a text calling me over. When I arrived, she was nearly breathless with excitement. “Orin, You were right,” she said. “A big group of people did arrive, but they didn’t walk into my part of the casino. Instead, they all walked into an elevator at the back of the building. I’m not sure where that goes.” She looked thoughtful. “It was weird. They looked… How can I say it? Desperate? Something about the whole situation was very off. I’m gonna check out the elevator tomorrow.” I told her to be careful, though, to be honest, I was excited to hear about what she discovered. When I visited my parent’s house the next night, I found her two kids there alone. They told me that Selene had never returned from work. I called all her friends, then all our neighbors, but no one had seen her since she left for work that morning. Our conversations regarding the casino flooded my mind, then a plan began to form. Early the next morning I walked across town in my nicest pair of jeans and a button-up shirt. I pushed through the door to the casino and saw that Selene wasn’t lying. The place was all but deserted. Three dozen slot machines crowded the walls surrounding a few tables interspersed throughout the floor of the casino. The only players in the whole building were Bob and Donald, two locals. I walked up to a nearby table where Bridget, a girl I’d gone to high school with, was shuffling cards. She broke into a grin when she saw me. “Hey Orin, you here for a few rounds of blackjack?” “I wish,” I said. “No, I’m here to ask about Selene. She never made it home last night.” Bridget’s expression darkened. “Really? Have you asked around?” “I already called around. Have you seen her?” She shook her head. “No, our schedules rarely line up. I’ll be sure to let you know if I--” Her eyes focused on something behind me, and she cut herself off. I turned around to see the casino’s pit boss watching us both. He was a tall thin man in an impeccably clean black suit. When I turned back towards Bridget, she was looking down at the table and shuffling cards absent-mindedly. “Well, if you hear anything, let me know,” I said. She nodded, so I turned around and headed for the pit boss. I stuck out my hand. The temperature of his hand was so hot that I had to pull my hand away after a few seconds. “Have… have you seen my sister Selene?” I asked. “She hasn’t been seen since her shift here yesterday.” He smiled. “Sir, this floor is for players. You’re more than welcome to head to the tellers for chips, but barring that I’m afraid I’ll have to ask you to leave.” I stared at him for a long second before stalking towards the door. When I looked back, he was talking with Bridget. I checked my watch. 8:55 AM, just as I’d planned. I walked around the back of the building and waited as the morning bus pulled around the building. I waited for the telltale hiss of the opening doors and the sound of people descending before I rounded the corner and joined the crowd. None of them paid any particular attention to me as I walked with them into the casino. The crowd walked through a side door down a hallway to an elevator. Small groups of people entered the elevator as the rest of us waited for our turn. I shot a glance at the casino patrons, surprised at their diversity. There seemed to be people from all different countries and ethnicities. I heard one speaking Japanese and another speaking what sounded like an African language. My turn came along with a few other patrons in the elevator. A sickly woman hobbled into the elevator beside me carrying an IV that was still connected to one of her veins. We piled in and rode up to the top. The elevator rose for a few long seconds. I wasn’t sure what I would find, but I steeled myself for something horrible. The elevator’s speaker let out a TING, then the doors opened. We all walked out onto what looked like a standard casino. Another few dozen slot machines ringed the walls, but on this floor, they were almost all occupied by customers. I took in the scene, confused at why they’d have a ground floor that was almost completely empty when this place was almost-- Selene was dealing cards at a nearby table. I jogged over and sat down at an open seat. None of the players around me paid me much attention. “Selene!” I said. “Are you OK? Did you spend the night here last night?” Her eyes were glassy and confused. She looked up at me with a dumb expression and didn’t respond to my question. “Selene?” I asked. “What’s your bet?” she asked me. “This table is for blackjack players only.” “I…” I trailed off, looking at the players around me. None of them were betting with chips of any kind. “What’s the minimum bet?” I asked. “Three years,” she responded. “Three years then,” I said, not knowing what that referred to. Selene nodded, then began dealing cards. I shot a look down at my hand. King and a 9. Selene dealt out cards for herself, showing a 9. I stood, then leaned forward again. “Should I call the police? Are you--” “Congratulations,” she said tonelessly. An almost impossibly warm hand grabbed my shoulder. I spun to see the pit boss I’d spoken to earlier. He gave an impressed smile. “Orin, was it? I’m impressed, truly. Would you mind if I had a word with you?” I shot a look back at Selene who was dealing the next round of cards. Then I got to my feet, balling my hands into fists. “What did you do to her?” The pit boss clasped his hands behind his back. “Nothing more, and nothing less than what I’m going to do to you. That is, offer you the chance to play.” “What the hell is that supposed to mean?” The pit boss nodded his head towards a nearby slot machine. A woman in a wheelchair pulled a lever and watched the flashing numbers spin. They exploded in a cacophony of sirens and flashing lights. “WINNER WINNER WINNER!” The machine screeched. The woman in the wheelchair put her feet on the ground and stood up on a pair of wobbly legs that had clearly never been used before. “As in any other casino,” the pit boss said, “you must wager for the chance to win.” “She... won the use of her legs?” I asked, feeling light-headed. “Wait,” I said. “I played blackjack just now. ‘Three years,’ Selene told me. What does ‘three years’ mean?” I asked. “Three years of life, of course. Did you win?” My mouth felt dry. “I-- Yes, I won.” He smiled warmly. “Congratulations. I hope you enjoy them. I can tell you from personal experience that watching the decades pass is a bore. Give it some time and you’ll be back to spend them.” I watched the pit boss’s face. He couldn’t have been more than a few years older than me, and I was in my early thirties. I looked around at the casino. No one was playing with chips of any kind. “So what?” I asked. “I won years of life. That woman won the use of her legs. What else can a person win here?” “Oh, almost anything. They can win almost anything you can imagine.” A cold feeling settled in my stomach. “And what do they wager?” His eyes flashed with greed. “Almost anything. They can wager almost anything you can possibly imagine. Anything equal in value to the item they want in return.” He nodded towards a nearby roulette table. A man stood by the table, cradling his hands. “Another finger,” he called out. He only had three fingers remaining on his left hand. As I watched, the ball came to a stop, and another finger disappeared from his left hand. The pit boss extended his hands. “Feel free to try any of our games. Bet and win whatever you’d like.” He reached out and snatched my hand. A feeling of intense warmth passed up my arm to my chest. “There,” he said. “I’ve even given you some house money to get you started. An extra decade of life, on me.” I ripped my hand away, staring at him in horror. Then I looked back at Selene. Something clicked in my mind. “You offered her the chance to play. What did she want?” I asked. “Her husband,” the pit boss said. “Quite the sad story. He died two years ago. She wanted him brought back to her.” “What did she wager?” I asked. “She wanted the chance to win a soul, the most valuable object in existence. I’m sure you can imagine what she needed to wager for the chance to win it. What she wagered is unimportant. The important question is: What do you want, Orin?” I stared at Selene with a flat expression. “I’m sure you can imagine.” His eyes flashed with greed again. “How wonderful. The casino could always make use of another dealer. Feel free to make your wager at any one of our games; I’ll be eagerly awaiting the results of your night. Oh, and do take advantage of our waitresses. We always supply food and drink for ‘high rollers’.” He walked away. I spent the next few hours trying to decide which game to play. I was going to be wagering my soul, so I wanted the highest chance possible. Slots and roulette were out. I’d done some reading online about counting cards, so I figured that blackjack gave me the best odds. I walked up to Selene’s table and sat down. “Bet?” she asked with that same toneless voice. “Three years,” I said. I spent the next hour or so doing my best to remember how to count cards. I knew that low cards added one to my count and high cards decreased it by one, but the casino used three decks. I had read something about how that was supposed to change my calculation, but I couldn’t quite remember how. Every time I won a hand, I cursed myself for not putting everything on the line. Every time I lost, I breathed a prayer of thanks that I’d waited. And all the while, I kept track of the count. I had lost fifteen years of life when the count finally reached +5. “Bet?” Selene asked. “I wager my soul so you can be free,” I said. The table around me fell silent. Selene’s eyes flickered, but she showed no other emotion as she dealt the cards. I watched my first card, punching the air in excitement when I saw a Jack. My excitement turned to ash when my second card was a four. Fourteen. I looked at her hand. One card was facedown, but the faceup card was a King. I swore loudly, staring down at my hands. “Hit?” she asked. The entire table was silently watching me. “Hit,” I said, not looking down. The table erupted in cheers. I looked down to see a 7 atop my two other cards. 21. Blackjack. I looked at Selene who flipped over her facedown card to reveal a 9. 19. I won. The glassy look left her eyes immediately. She looked around in surprise, then her eyes locked on mine. “Orin?” she asked, then almost immediately began to cry. The entire casino broke out in cheers. I grabbed her hand and headed for the elevator. The doors had begun to close when the pit boss reached out with a hand to stop them. “Congratulations,” he said, beaming. He seemed to be honestly excited. “Shouldn’t you be upset?” I asked. “Not at all. Casinos love it when we have big winners. It inspires the other players to make larger bets. I imagine I’ll gain two or three dealers before the night is through from your performance.” “Great,” I said flatly. “Now let us go.” “Not yet,” he said. “You didn’t just win, Orin. You got a blackjack. And blackjack pays out 1.5 times your bet. You won your sister’s soul and more.” I stared, not sure what to say. “What are you saying? I won half a soul extra?” The pit boss grinned wildly. “Just remember what I said. You’ll find living for decades and decades to be a boring experience. After a few centuries, you’ll be back to gamble that half a soul away. Congratulations!” He removed his hand, and the elevator doors slammed shut. I helped Selene back to her house. Her children were relieved. I watched them cry, then moved into the kitchen to start making dinner. It’s been a few days since that experience. The casino is still out there, and buses full of people still arrive. I… I cut my hand pretty bad a few days later. When I checked it an hour later, it had already healed, no scar or anything. I’m not sure exactly what I won at that casino, but there’s no way I’m ever going back. Interested in more? Support me on Patreon at any level! My Patreon backers will get early access to my horror stories, free copies of my horror novels, and an exclusive story each month. Become a Patreon supporter here: https://www.patreon.com/WorchesterStreet Thank you to my lovely Patreon Backers: Brooke Tang Private Castle Lilith Scyther Peter Jamison MADman611 Lily Bain Vivienne Hoai Claire Shabbeer Hassan Maranda Mae Madeline Budd Lauren Ashley Luna Vaughan Stephanie Jennings, Krystin Molina and my new Patreon backers, Carter B, Yazz Ledgister, and an especial thanks to newest backer Christina! Your support is invaluable!
Liverpool is about to enter the highest level Tier 3 Lockdown. Tier 3 details confirmed: “All household mixing banned and pubs/bars closed“
The rest of the country will be in Tier 1 or 2 lockdown but “The Liverpool City Region - home to 1.5 million - is expected to face the tightest restrictions with pubs and gyms closed, and further rules on households mixing indoors.” Also “all gyms and betting shops will be closed” Now I’m no conspiracist but funny how the Tories put the harshest lockdowns on the Murdoch hating, Tory hating, Labour supporting city of Liverpool I genuinely feel for players like Jota and Thiago who have to acclimatise to a brand new City/Country with the harshest of lockdowns Will this effect the football? How will it work with other clubs coming to play and staying at hotels etc? https://twitter.com/PippaCrerastatus/1315664276280012800 https://mobile.twitter.com/JenWilliamsMEN/status/1315664785103618050 https://www.bbc.com/news/uk-54499963 ————————— EDIT: CONFIRMED By Boris
Boris Johnson has announced that local authorities in the Liverpool city region will move into the Tier Three "very high" alert level from Wednesday. As well as pubs and bars, gyms and leisure centres, betting shops and casinos will also close.
PM announces that much of Merseyside will go into top tier - and that gyms, casinos, betting shops will close in too
Shops, schools and universities to stay open throughout. https://twitter.com/PippaCrerastatus/1315665673251680266 WTF IS THIS?! How does this make any sense?! —————— EDIT 3: Liverpool Mayor confirms Armed Forces will be brought in to help with testing etc
James Bond - Casino Royale : The stakes are high in a dangerous game of chance for Agent 007. Ian Fleming's first James Bond novel read by Alex Jennings. Episode 1 of 10 on iplayer until 09/10/12.
All, Thanks knife_swap for buying some of my stuff already. A lot of the "big guys" are left, and I'm dropping prices across the board to try to get them sold before I hit the post office on Monday. By this point, everything is priced well "below market". New Timestamp Looking to sell. ONLY trades are for John McNees, John Gray or Ed Cope Customs. ALBUMS (note: Albums are same as last post, and so contain some previously-sold knives...see links below to jump specifically to videos of remaining knives) FoldersFixies KNIVES
The only hype knife drop I've ever been lucky enough to get in on. Super-limited MonkeyEdge AR .75 in 3V, probably one of the toughest folders you'll ever find. Kills me to sell it, but my 3V Demko has always been the one I've grabbed. Unused except for a couple tests BUT there's some surface rust on the engravings. Haven't tried to do anything about it, it might scrub right off.
Gorgeous knife from the Tom Mayo protege...3.5ish inches of Vegas Forge dammy, old-school-smooth action, literally faultless construction. Only problem is the beautiful mirror edge on here right now is literally dull as a brick, so it'll need sharpening before it gets used. Green schmutz is a brief attempt to strop it, which lasted about 3 seconds before I realized I don't know what I'm doing. I don't think it did a darn thing to the blade.
Lightweight utility EDC from Jens Anso with really interesting patterned G10 handles. This isn't a "hard use" blade, but the sheepsfoot profile comes down to a screaming sharp edge that glides through most materials. Never thought I'd sell this one, but I've got another Haddock on the way from ens, don't need two, and I haven't been reaching for this as much as my various tantos. That said, if this one doesn't sell at this price, I'll keep it and just sell the new Haddock when it comes in.
Just about new from Jens, carried once. The blade shape just doesn't work for what I need from a friction folder. Faultless construction, SUPER slicey blade, bronze gives it a little heft. Just a gorgeous, gorgeous piece. Would cost you $1050 to order the same build from Jens direct.
Similar to the other, gorgeous piece, but I just don't have enough use cases for it. Really interesting little pattern on the CF, super useful blade shape. If this one doesn't sell at this price or close to it, I think I'll just keep it for now.
Nearly new, 1 of 3 in the world. Carboquartz and marbled CF scales, super-drop-shutty, huge-ass 20CV blade running on bearings. Not the sharpest thing in the world, but it's not meant to be. WAY lighter than it looks, would probably be a great semi-outdoors user knife.
Somebody buy this fucking custom, seriously. $1500 table price, Hugin dammy with copper bolsters. Chonky. Only downside is the blade is super thin BTE but not all that slicey. With a bit of sharpening work, should make for an exceptional EDC. Some small marks near the front of the blade from light use.
Got in a trade, lighter-than-it-looks, super flicky full custom from an Indonesian maker. Seen a lot of building hype around this guy, and it's earned...this thing rocks and would make a great EDC. Blade shape is like a bigger Sebenza flipper.
All 3 fixies are in one video. Nearly-new-but-for-some-kydex-scuffs lightweight RMJ hawk in the limited "Explore More" colorway. Super cool little piece that I thought would be a nice "shop axe"...cept I don't have a shop, and what do I need a shop axe for.
Such a hype-y little piece, but it's for a reason...this little mouse is as close to indestructible as anything you'll hold in your hands. Enjoyed having it around, but never used it, so I'll pass it on.
This thing is just MEAN. S35VN, from the drop either this year or last year, forget exactly when. I'm second owner, but I never used it, and I don't think the last guy did, either. Probably not much you can't do with this guy...stab, pry, maybe even cut! Cord-wrapped handle is super comfortable. Never used.
Selling a whole bunch of excellent knives that no longer bring me joy. Prefer to sell. Only considering trades for Mayo, Cope, JB Stout or John Gray customs. Last note: I can only check Reddit a few times each day. I'll take the first clear, unambiguous, unqualified "I'll take it" or "yolo." ASKING FOR MORE INFORMATION IS NOT A YOLO. Thanks! Thanks for looking! Timestamp and all videos Videos should be updated and working now!
Classic knife by a classic maker. Pretty sure the blade is RWL-34 (I think most of Vox's stuff is). Super heavy-duty construction, full flat grind comes down to a GREAT working edge. The green-and-bronze ano Vox and Anso use is super cool up close.
I've got half a dozen "nice user knives", all of which have already seen more use than this guy.
Lightweight user by Jens Anso, discontinued model. C due to aftermarket stippling. Shape was the inspiration for the Ace Biblio. Looks like a blade that's a few years old, edge could use a touch-up, and there's a bit of lockstick, but with a little bit of TLC this will be a GREAT EDC custom.
I've got 4 other Ansos (in-hand or on order), and this one has just enough quirks to part with it.
Lightweight Gavko in his heavily bead-blasted finish. Hollow-ground tanto comes down to a super usable edge. Heavy detent but flicks out nicely.
I got another small, all-Ti thumbhole knife I love a bit better. That said, this is the one knife on the list I LEAST want to sell, and I won't be bummed if it sticks around.
From a few months back, grey aluminum scales with a flat-finished spring side and a bead-blasted blade. PSF-27. Super cool, almost low-key rendition of the SMF. And say what you will about the SMF, but I'm yet to find another large knife with better ergos. Note there is some very slight surface rust on the spring side of the blade...I'm sure it'll come off in a jiff, I haven't tried anything.
I've got 3 Demkos which all have already seen use, and I just don't need a bucketful of large, hard-use knives in a town where carrying all of them is technically illegal.
Just received, Gareth Bull's take on Ma's Invictus design from a few years back. Direct inspiration for the newer Terrain 365 take on it. Kinda speaks for itself given the maker and design. Will get you many many Instagram points.
The Invictus blade shape just doesn't work for my EDC needs. I know most people love it, though.
Just received, Terrain 365's Terravantium take on the Invictus, here in Marine G10. Probably still available some places, but most got snapped up pretty quick.
Received in a trade, custom from an up-and-coming Indonesian knifemaker. Lighter than it looks, great finishing, deploys easily from either a thumbstud or a flipper tab. Really cool-looking and effective hollow grind.
Just received, 3V blade, it's a McNees, meaning it looks clunky and caveman-ish and yet somehow functions like a dream. Late lockup, otherwise technically excellent, fires out with an effortless action.
Same reason as the Spydie Tiger. (My new John Gray Bloodshark)
20CV front flipper from McNees. Has been carried a few times. Acid-washed blade, copper accents, and I'd argue better action than any of the Burgers I owned. (Pew pew) Insanely nice, yet as low-key as a knife gets.
I'll never be comfortable with front-flippers, and this blade shape doesn't quite work for my EDC.
Huginn Damasteel, full custom from Kingdom. Awesome blocky design with orange peel Ti and copper bolsters. Contoured so it feels great in the hand. Note it's very thin behind the edge, but came to me not-that-sharp and remains not-that-sharp. Some use toward the tip, was carried a few times.
Too damn fancy for me, and I don't like damasteels.
Crazy good action, super-useful Wharnie blade. And it's a Rassenti. Only issue is, because it's a Rassenti, it's got some lockstick, which varies from not that bad to occasionally requires-two-hands-to-disengage. Haven't tried to do anything to fix it, has been the case since I got it.
From Triple Aught's recent drop, there are only 3 of these in the world (plus one with blue carboquartz). Carboquartz and marbled CF scales, 20CV blade, made by Dervish knives, excellent action on bearings. Super pretty custom that also would be great as a user. WAY lighter than it looks.
It's worth $1300. More importantly, it serves the same role in my collection as my beloved Demko AD-15, so I don't need both.
Same as McGinnis's Spokes, exceptional machining and action throughout, great user blade. Note this one saw some serious use from the previous owner, has its share of scuffs on the scales.
Extraordinarily light, "legal everywhere" friction folder / slipjoint (has a half stop, but runs off a double detent, not a backspring) from Jens Anso. Inspiration for the ZT 0230. Fatcarbon scales on this one. Perfect little EDC, won't threaten anybody in the lunchroom.
I need to use my Impinda more, and I've got a Casino on the way from Jens.
Timestamp and images I need to start allocating less time toward collecting and more time toward other things (i.e., work & building a business), so I'm dropping prices on all these fancy schmancy knives to get em out of my hair. Looking to sell. ONLY trades I'll consider are McNees Customs, John Gray Customs, or a Shiro Neon R20. Selling to CONUS only. Open to offers on all, message me with interest. EDIT: Additional drops for Sunday for everything left. Would LOVE to get most of this out by Monday morning! Thanks for looking!
From a couple years back. Lightly used by myself and previous owner, some light snail trails. Action is superb, not drop-shutty but smooth as smooth can be. Incredibly nice knife, but I just don't like the Invictus platform.
Full custom from an Indonesian maker (SG_Knives on IG). Incredibly light and fidgety on thumb studs or a flipper. Huge hollow grind that reminds me of a Sebenza but biggerer.
Listed here for literally half of table price...taking a $500+ loss on this one. Orange peel Ti handles, Huginn damasteel blade, copper bolsters. Exceptionally smooth washer action (ignore my mess-up). Lightly carried and used, some scratches near the front of the blade. Blade came to me very thin BTE but not that sharp (dunno what happened, apparently it was this way straight from Dave), but I'm guessing it'll get super-sharp with some love.
Only 3 of these in the world, the 2020 version of the Dauntless from Triple Aught. Super light, super fidgety on bearings, lighter than it looks, just a cool knife overall. Feels like a lighter Demko AD-15.
Lightly carried, probably my favorite Gavko ever. Exceptional action with a fairly strong detent, and maybe the best tanto grind I've ever encountered. Love everything about this knife, and frankly if it doesn't sell this time I'll just keep it.
An older model from Jens with added aftermarket stippling. Lighter detent (total opposite of his current detents), could use a sharpening, general "older knife" feel. Design was the inspo for the Ace Biblio, and the ergos and usability are as awesome as you'd expect.
Banger of a knife from Tom Mayo protege Ed Cope. Feels like a more aggressive Mayo - Vegas Forge dama blade with a recurved bowie-ish shape, super countoured handles, darn near perfect construction. NOTE though the current mirror edge on this is beautiful but NOT AT ALL SHARP. So if you want to use this, it'll need a sharpening. Was gonna get Mike Emler to do it but I think I'll just sell it instead.
This is like 2/3 off table for a beast of a custom. Huge 3V blade, perfect ergos on the giant, orange-peeled handle, smooth action on washers. If you want a "user custom", you can't beat this.
Got from Jens just a couple days ago. Razor sharp little friction folder, here with bronze handles and blue screws. Utterly gorgeous, lovely action, 4-finger-grippable on a small knife...but it's been too hard for me to adapt to a non-locking folder.
All of the above still applies, this one is just a bit older and has FatCarbon scales so it's even lighter. Action is a hair gritty on this one, but that comes and goes and probably could be fixed with a cleanout. Will probably regret selling these, will probably keep em if there isn't much interest.
Our Highstreet has a gambling problem, there's 11 gambling shops that have slowly taken over. A new addition this week (pandemics/recessions must mean good business for Gambling I'm sure). Google shows 11 betting shops in Hounslow Highstreet. By comparison Chiswick Highstreet shows 3. Kingston Highstreet shows 3 😂
3 Paddy Powers
2 Betfreds
2 Ladbrokes
2 Dedicated FOB Shops (Admirals and a new one opposite SuperDrug)
1 Jennings Bets (I think this has closed thankfully)
Coming back home from University is always a bit of a dread coz there isn't much to do in here, today I decide to take a trip through Hounslow Highstreet and I couldn't help notice SO MANY betting shops I think we might as well be a big Casino at this point Anyone else find these places.. unsightly af?? I have seen local bums, drunkards and nitties spend all day around these shops and it seems it's growing. The Highstreet is being extended as part of a regeneration project which means more retail units- looks semi-decent but no doubt in my mind will bring more gambling shops (https://www.hounslow.gov.uk/info/20061/regeneration/1233/hounslow_town_centre_regeneration) Looking forward to a Cineworld coming here but it's really hard to spend time with friends in a place that looks like a shithole. How does a frustrated resident stop these places from growing? Why is my Council so keen on allowing these shops to open up... I'm pretty sure we've got a disproportionate number here. /rant
Singapore expat jobs under threat in recession, local hire push
https://www.businesstimes.com.sg/government-economy/singapore-expat-jobs-under-threat-in-recession-local-hire-push Singapore has long been the city of choice for Western expats wanting an easy entree into Asia. Clean, efficient, with low tax rates, it's often seen as rivalling Hong Kong, especially with that city hit by street protests and unrest over China's new national security law. Yet just when Singapore should be a magnet for global talent, some recruiters say the barriers to entry are mounting. The city is facing the worst recession in its history, forcing a rethink for some firms on expansion and hiring plans. Alongside soaring unemployment has come a spike in rhetoric against foreigners, seen by some Singaporeans as taking jobs from locals. An experienced nurse from New Zealand is finding out how tough it can be. She seemed, on paper at least, the ideal expat - arriving with her partner right before Covid-19. But 11 months and over 200 failed applications later, she says she's on the verge of going home, unable to land a work pass. She was told by companies that they have a quota and the quota is met, she said, asking not to be identified for fear of jeopardising her partner's work permit. When attempts to volunteer at hospitals were similarly rejected, she said she felt like she didn't belong. The uncertain job prospects, online commentary and stricter conditions risk making Singapore a less welcoming destination just as the city-state needs foreign investment the most. And as workplaces clamp down on hiring it could further limit the options for expats who have long seen a stint in Asia as an important and lucrative experience. The Singapore government has added to their angst by taking steps to promote local hiring, raising concern that it will come at the expense of expats. Earlier this month, it put 47 companies on a watch list for suspected discriminatory hiring practices. The list includes banks, fund managers and consulting firms that may have pre-selected foreigners for jobs or not given Singaporeans a fair chance. This adds to the 240 companies already under scrutiny. The names of the firms weren't disclosed. And in May, it tightened the framework that governs employment passes for foreigners, increasing the minimum monthly salary to S$3,900 and further expanding rules requiring employers to advertise job openings to locals first. The government said on Wednesday it plans to raise that salary threshold further. "I wouldn't be surprised if there was a contraction in the number of visas issued because the demand for foreigners is going to be less" in the near term, said Hays regional director for Singapore Grant Torrens, citing the sharp contraction as the main driver. The role of foreign workers became a key election issue this year, with several opposition candidates campaigning on claims that overseas talent is taking local jobs. The Workers' Party, which clinched more seats than ever, published a manifesto that included tightening employment pass approvals. "The only reason we have foreigners here is to give an extra wind in our sails when the opportunity is there," Minister of Foreign Affairs Vivian Balakrishnan said in a televised election debate in July. "Now we are in a storm, and we need to shed ballast." Dr Balakrishnan's office said in response to Bloomberg queries on the comment that there will be a disproportionate impact on the foreign workforce in a downturn. Foreign workers on employment passes - the sort issued to highly skilled workers as opposed to work permits for blue-collar jobs - typically comprise around 5 per cent of the total workforce. Yet among top managers and professionals in some key sectors, the ratio of foreigners can be much higher. Non-Singaporeans made up 57 per cent of senior management roles across the financial services sector, the government said in August. Andrew Zee, team lead for financial services at Selby Jennings, said some of his job candidates were recently denied permits - a first for him in more than four years - though they were later approved on appeal. Sirva Inc, which owns Allied Pickfords, said inquiries from people wanting to move to Singapore in the first seven months of the year were down 23 per cent from the same period in 2019, according to Amanda Jones, senior vice-president of sales and account management. Ms Jones doesn't expect to see expat executives coming to Singapore at pre-Covid numbers until 2022 at best, especially given travel curbs and the recession. EXPATS LEAVING The shift is starting to be felt in the real estate market. Ella Sherman, an associate executive sales director at Knight Frank in Singapore who specialises in expat housing, says she normally signs about four rental agreements a month this time of year. Now she's lucky to secure one, and knows of several clients heading home. Beyond the economic woes and the pandemic lies an unease over foreigners in the country of just 5.7 million people. This has surfaced in public calls, often on social media, for more hiring of locals. When a Facebook post targeting foreign executives at US$215 billion investment giant Temasek Holdings went viral this month, chief executive officer Ho Ching responded with a post of her own describing it as "a cowardly act of hate". JOB CUTS Companies are taking pains to describe their efforts to retain Singaporean jobs. When Millennium Hotels and Resorts laid off 159 employees this month, it noted that the move lifted its "core" Singaporean workforce to 69 per cent. After casino operator Resorts World Sentosa (RWS) reportedly cut 2,000 jobs last month, the Ministry of Manpower issued a statement saying the majority of affected workers were foreigners. "After the retrenchment exercise, RWS has a stronger Singaporean core," the ministry said. Even expats abroad are feeling the pinch. One worker was overseas and between jobs when the pandemic struck. Though he quickly found a new position, he said his employment pass submission has been rejected several times with no explanation. He's now stuck in Europe paying rent for his empty home in Singapore, unable to return until his visa gets approved. He declined to be identified for fear of jeopardising his application. He said the rising anti-foreigner rhetoric was equally worrisome. For some, the social tensions were brought to the fore when a few expats were caught breaching government-imposed lockdowns by drinking and mingling outdoors without masks in May. The incident sparked an ugly debate on social media and prompted a minister to caution against the "visceral reaction" by locals. The offenders were fined and banned from working in Singapore, as were 134 others over May and June. GREEN CARDS To be sure, some politicians are urging calm. Singaporeans want assurances that the government will continue to create opportunities and provide fair treatment, but a vast majority "understand that staying open and connected is very important to Singapore", Manpower Minister Josephine Teo said on Wednesday. Singapore isn't alone in fighting for local jobs. US President Donald Trump signed an executive order this month barring federal agencies from replacing citizens or green card holders with foreign workers. And the city-state's status as a finance hub ensures it will always be magnet for foreign talent. Citadel, the hedge fund run by billionaire Ken Griffin, announced this week it's opening a Singapore office, as did Sun Life Financial, Canada's second-biggest insurer. ATTRACTIVE HUB "Singapore remains an attractive destination," said Rahul Sen, the global head of private wealth management at Boyden, an executive search firm. "New businesses that were thinking of setting up in Hong Kong to attract Greater China wealth are thinking of setting up shop in Singapore." Even so, the avenues for many are narrowing. The nurse from New Zealand has started reaching out to healthcare providers back home. They're eager to hire so she may head back. "Singapore is an amazing city, and we hoped that if we stayed long enough, things would change," she said. "But the longer it takes, the further away it seems."
TL;DR The why as to why you trade is as important as the strategy you use to trade. I am new to Forex. However prior to COVID I was a professional card player but when the casinos closed shop I needed to find another source of income. Over the past few months I have been doing a lot of research into different strategies to use however, the one area of information that is rarely ever discussed is the why of why you are doing this. In any setting risk management is a major component to determine success but, what determines your level of risk tolerance is independent of each person's goals. Before I ever sent a dime to a brokerage or opened a demo account I asked myself these questions. 1.) What is my reason to do this? Determining whether this was something I wanted to do full time, part time, as passive income or as a challenge to beat. 2.) What is my short term and long term goal with this? Was I looking to make money right away? Was I looking to reinvest? Have a plan as to what you are going to do with your money beforehand and stick to it. 3.) How much time am I willing to invest into this? Practice makes perfect in any endeavor and to become good at something requires time. 4.) How much am I willing to lose before I call it quits? Just because you have 20k doesn't mean you have 20k to lose. Knowing when to walk away from a losing session is even more important than basic strategy as it will allow you to come back to the table to try again so to speak. Each of these questions lead to more questions until I had a defined plan of action as to how I wanted to move forward. These questions also gave insight as to the style and type of trading strategies I would be looking for as they fit my goals. The strategy I have been using is successful for me because of my style of risk tolerance and risk management but may not work for others. Ken Jennings and James Holzhauer are two of the most successful competitors on Jeopardy. However the strategy each used were different but worked for them. Same applies to professional poker players, athletes and almost any task imaginable. So I see many people asking for strategy advice. The advice I would give is for them to ask themselves not "How should I be trading?" but "Why am I trading?". This is just my two cents. Good luck to you all.
Hounslow Highstreet's growing gambling problem (2021) X-Post
Hounslow has a disproportionate number of Gambling shops. There's currently THIRTEEN (Bookies, Casinos) by comparison Kingston (with a much larger HS) has 5 and Chiswick Highstreet: 4.
3 Paddy Powers
2 Betfreds
2 Ladbrokes
2 Dedicated FOB Shops (Admirals and a new one opposite SuperDrug)
1 Jennings Bets (I think this has closed thankfully)
If anyone's interested I've made a post about Hounslow Highstreets growing gambling problem here (https://old.reddit.com/CasualUK/comments/kocgzhow_do_i_stop_my_highstreet_turning_into_a_big/) x-post because I'm sure I'm not the only person who has a growing concern about the issue and want to post this in Hounslow subreddit incase anyone else is interested in getting behind this.
Best run in terms of anything William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt. Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys. John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light. Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire. Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case. Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty. George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me. John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive. Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express. Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses. Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross. Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine. Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing, The Small Back Room,and An Airman's Letter to His Mother. Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor. John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll. Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair. Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door. Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement. Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe. Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead. David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends. Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming. Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By. Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway. Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon. Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine. Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation. King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest. Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul. Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses. Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico. Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth. Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer. Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France. Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama. Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman. Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James. Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night. Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night. Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson. Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo. Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question. Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall. Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat. Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night. Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne. Luis Buñuel: Gran Casino and The Great Madcap. Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard. Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi. Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French. René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga. Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax. Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night. Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island. William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters. Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again. Luchino Visconti: Ossessione and La Terra Trema. Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young. Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies. Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day. John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song. Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce. Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
Best run in terms of anything William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt. Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys. John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light. Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire. Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case. Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty. George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me. John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive. Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express. Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses. Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross. Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine. Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing,The Small Back Room, and An Airman's Letter to His Mother. Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor. John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll. Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair. Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door. Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement. Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe. Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead. David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends. Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming. Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By. Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway. Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon. Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine. Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation. King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest. Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul. Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses. Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico. Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth. Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer. Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France. Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama. Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman. Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James. Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night. Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night. Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson. Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo. Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question. Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall. Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat. Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night. Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne. Luis Buñuel: Gran Casino and The Great Madcap. Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard. Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi. Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French. René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga. Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax. Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night. Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island. William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters. Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again. Luchino Visconti: Ossessione and La Terra Trema. Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young. Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies. Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day. John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song. Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce. Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
Just wondering where all my illegal demo downloading fiends are.... at one point I had a whole mix CD of random JEW demos, and it is gone forever but it had some crazy stuff on there that I now desperately miss, such as:
“Jen” — which can I just officially say that this song deserved better? The fan base as a whole was such a colossal dick about that song and looking back it was actually sweet and a fun song and I just feel like it is due an apology.
A demo of “Closer” which was titled “Lying Dressed” at the time and those original lyrics made my little teenage girl heart hurt in a big way
a bunch of “Go Big Casino” demos including the original “Carry You” which — you guessed it — also demolished my little teenage heart
“Open Bar Reception” which I actually saw Zach post a drum demo of on insta so maybe this wasn’t as obscure a track as I thought ...
a couple of songs that if I remember correctly were poems written by an author I totally forget that Jim put music to for some occasion or another ... lines included something about a window? I’m really reaching deep into my memory for this. Small chance I dreamed it.
Some song with the line “you might say there’s nothing in the desert I would simply reply that there’s nothing anywhere...”
Plus so many more I’ve forgotten, so if you think of more tell me so I can get even sadder that my CD binder went off into the great beyond. Uh, anyway— point is I just want to see if any fellow psychopaths in reddit-land remember these, and also if you do wish you condolences on the death of your PC you definitely killed with Limewire viruses.
In peak offseason form, I decided to anagram all the draft picks. I did have two rules, I could not use the original player's name (Example: Brian Burns, could not be Brain Burns), and I couldn't add a suffix to the name. There could definitely be better ones, I used this website. I also, did this last year!
[Overflow][Noirvember] Dear Jen 2020-11-30, 23:59 UTC
Overview · Name of Run: Dear Jen · Metaplot: Noirvember · Run Link:https://www.reddit.com/NeonAnarchy/comments/k3k5joverflownoirvember_dear_jen_20201130_2359_utc/ · Date: 2020-11-30 · Time: 23:59 UTC · Duration: 3.5 hours · Threat: Medium · Scheduling: Scheduled, Overflow, Picks 4 hours prior · GM:u/MyxieTryxle MyxieTryxle#7733 · Runners: Joker (https://www.reddit.com/useClappin_Hams/), Neurochrome (https://www.reddit.com/useNero1415/), Night Train (https://www.reddit.com/useKilljoy69x/), Saint (https://www.reddit.com/useSir_Cliffie/) · Johnson: Jen O’Reilly · Relevant NPCs: Noel Flannigan · Location: Downtown, Bellevue · Opposition: Social contests with neighbors and casino employees, R4 host at Noel’s apartment · Casualties: One ex-reporter turned Banshee · Collateral: Jen’s childhood dream of meeting the perfect elf and very slowly growing old together · Synopsis: The team went looking for a missing person, found a lot more than they bargained for (potential follow up runs involving banshees) · Run Rewards: 12,000 nuyen, 7 karma, 2 knowledge karma “Welcome to the Gates Casino in Bellevue! We noticed you’re carrying a properly registered firearm in compliance with all local regulations. We would like to remind you that when it comes to security at the Gates Casino, the house always wins. Thank you for your consideration, and please enjoy your stay.” Action Report: They negotiated 6000 upfront with 6000 when they finished the job. Ms. Johnson (Jen O’Reilly) produced information on her boyfriend Noel Flannigan, a local reportecelebrity who produced feel good stories about Seattle events for Horizon Corp News. Noel Flannigan went missing a few days before, and a missing person report as well as a private investigator produced no leads, so Jen turned to the shadows. The team started by investigating Noel’s apartment, the last place he had been seen. Neurochrome hacked the complex’s R4 host to retrieve camera data and unlock Noel’s door. Joker and Saint ran interference on the neighbor while Night Train sneaked upstairs. Together, they determined that Noel had been there on the morning in question, packed up anything of portable value in the apartment, changed the codes on the locks, and fled in a great hurry around four in the morning. They also found correspondence with someone named Arnie Killarny (obviously a fake name) that led them to the Gates Casino in Bellevue, where Mr. Killarny was reputedly staying. They cased the joint, surveying all the cars in the parking lot as well as flying a drone around the impound lot, but couldn’t find Noel’s car there. They went in one at a time to check out the casino. Night Train picked up Noel’s scent in various places in the casino and elevator, but it was well faded and several days old. Neurochrome did a little searching but asked the others to try more social avenues when he saw the security on the casino’s host. Joker and Saint approached a concierge and asked some questions. A red flag raised when they asked about Killarny, leading a manager over. With some social maneuvering and lying about working with the private investigator who previously came to the casino, they convinced the floor manager that they’d leave if he showed them what happened to Noel. He produced a video that showed Noel holding his head, stumbling out of the casino roughly 30 hours after entering, getting into his car, and driving away with gridlink. Night Train followed the path Noel had taken through the parking lot using his sniffer. He found a place where Noel had vomited before getting in the car and chemically analyzed it with his sniffer, identifying no alcohol and the scent of disease. They sent the digital info to a street doctor contact and collected a physical sample for later analysis. The doctor got back to them very quickly, indicating that the sample was severely degraded, but estimated a 78% chance of HMHVV1, 12% chance of HMHVV2, and 3% chance of HMHVV3. After discussing whether or not they should continue looking for Noel and potentially capture him, the team decided they should inform Ms. Johnson of their findings and look into another run with a sponsor to capture a banshee. Jen was distraught. Signs pointed to Noel visiting her in her sleep just the night before. The team consoled her and suggested she find safer accommodations for the time being. She produced the rest of their payment, and asked to be alone.
Brad Parscale was on the phone with President Donald Trump and top White House officials in mid-February when someone on the line asked the campaign manager what worried him the most. Parscale, speaking from his Arlington, Va. apartment, had just told the president how good his internal poll numbers looked. But now he had an urgent message: The coronavirus was a big problem – and it could cost him reelection. Trump was perplexed. The economy was strong. The president had built an enormous political infrastructure and was raking in hundreds of millions of dollars. That month, Trump’s campaign conducted a $1.1 million polling project showing him leading prospective Democratic challengers even in blue states such as Colorado, New Mexico, and New Hampshire. “Sir, regardless, this is coming. It’s the only thing that could take down your presidency,” Parscale told the president. Trump snapped. “This fucking virus,” Trump asked dismissively, according to a person with direct knowledge of the exchange, “what does it have to do with me getting reelected?” That was exactly the attitude Joe Biden expected from the president. And Biden saw his task as unambiguous. Create a contrast. Follow the scientists whom Trump ignored. Wear a mask, halt public events and reinvent campaigning to avoid putting people in harm’s way.
...
This account of the 2020 presidential campaign is based on conversations with more than 75 people in and around both campaigns. It is the story of two candidates with completely divergent views on how the nation would respond to a deadly virus outbreak — and acted accordingly, setting up a stark choice for voters. Among the findings: • Communication between the Trump campaign and Republican National Committee broke down for much of the final stretch, and the two sides clashed over strategy. The RNC thought Trump’s ads were of such low quality that it created its own commercials. • A pro-Trump super PAC took months longer than expected to materialize, prompting anxiety at the highest levels of the president’s cash-poor campaign. At one point, former top Trump strategist Steve Bannon was in discussions about helping to steer the group, an idea major donors would have rejected. By the time casino mogul Sheldon Adelson stepped forward to fund it, the president had been swamped by pro-Biden ads. • Trump offered to cut his campaign a check heading into the final week of the race. His advisers told him it wasn’t necessary — the campaign had enough resources. While people close to the president defended the decision, it ensured he would be overwhelmed by Biden on the air as voters headed to the polls. • Senior campaign and GOP officials vented that Trump’s finance team, led by former Fox TV host and Donald Trump Jr. girlfriend Kimberly Guilfoyle, underperformed and was an HR nightmare. Trump couldn’t compete with Biden’s small-dollar fundraising machine, and some donors were horrified by what they described as Guilfoyle’s lack of professionalism: She frequently joked about her sex life and, at one fundraiser, offered a lap dance to the donor who gave the most money. • Biden aides clashed over a decision to refrain from door-knocking as part of a field operation, something campaign manager Jen O’Malley Dillon supported, to the disappointment of some staffers who feared they forfeited a major organizing tool to Republicans. • The Biden campaign spent months pushing back on criticism of its “basement strategy,” including from its own party. It would feel vindicated when Biden remained virus-free as infections spread through the White House. • Democratic Majority Whip Jim Clyburn, whose late-February endorsement of Biden proved to be a transformational moment for his campaign, revealed that he informed Biden advisers months earlier of his decision. But Clyburn resisted pressure from the campaign to go public because he thought it would pack more punch just before the South Carolina primary.
Best run in terms of anything William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt. Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear, The Stranger, Black Magic, and Follow the Boys. John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light. Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire. Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case. Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty. George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me. John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, We Sail at Midnight, Sex Hygiene, 3 Godfathers, My Darling Clementine, Torpedo Squadron,December 7th: The Movie,They Were Expendable, Fort Apache, The Battle of Midway, She Wore a Yellow Ribbon, and The Fugitive. Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express. Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses. Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross. Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine. Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing,The Small Back Room,and An Airman's Letter to His Mother. Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor. John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll. Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair. Nicholas Ray: They Live by Night, A Woman's Secret, and Knock on Any Door. Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement. Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe. Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead. David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends. Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming. Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By. Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway. Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon. Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine. Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation. King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest. Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul. Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses. Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico. Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth. Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer. Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France. Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama. Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman. Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James. Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night. Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night. Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson. Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo. Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question. Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall. Maya Daren: At Land, Meshes of the Afternoon, A Study for Choreography for Camera, Ritual in Transfigured Time, and Meditation on Violence. Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat. Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night. Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne. Luis Buñuel: Gran Casino and The Great Madcap. Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard. Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi. Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French. René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga. Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax. Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night. Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island. William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters. Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again. Luchino Visconti: Ossessione and La Terra Trema. Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young. Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies. Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day. John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song. Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce. Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
Best run in terms of anything William Wyler: The Westerner, The Heiress, The Little Foxes, The Letter, The Best Years of Our Lives, Mrs. Miniver, Memphis Belle, and Thunderbolt. Orson Welles: Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Macbeth, Journey into Fear,The Stranger, Black Magic, and Follow the Boys. John Huston: The Maltese Falcon, The Treasure of the Sierra Madre, Key Largo, We Were Strangers, In This Our Life, Across the Pacific, and Let There Be Light. Howard Hawks: Red River, I Was a Male War Bride,A Song Is Born, To Have and Have Not, The Big Sleep, Sergeant York, His Girl Friday, Air Force, and Ball of Fire. Alfred Hitchcock: Notorious, Rebecca, Shadow of a Doubt, Spellbound, Rope, Suspicion, Under Capricorn, Foreign Correspondent, Saboteur, Mr. & Mrs. Smith, Lifeboat, and The Paradine Case. Preston Sturges: The Palm Beach Story, Sullivan's Travels, Unfaithfully Yours, The Great Moment, The Miracle of Morgan's Creek,I Married a Witch, Christmas in July, The Lady Eve, and The Great McGinty. George Cukor: The Philadelphia Story, Gaslight, Adam's Rib, Susan and God, Her Cardboard Lover, Keeper of the Flame, Edward, My Son, A Double Life, I'll Be Seeing You, and Desire Me. John Ford: The Grapes of Wrath, The Long Voyage Home, Tobacco Road, How Green Was My Valley, 3 Godfathers, December 7th: The Movie, My Darling Clementine, They Were Expendable, We Sail at Midnight, Fort Apache, Torpedo Squadron ,The Battle of Midway, How to Operate Behind Enemy Lines, She Wore a Yellow Ribbon, and The Fugitive. Jacques Tourneur: Cat People, I Walked With a Zombie, Out of the Past, Canyon Passage, The Leopard Man, Phantom Raiders, Days of Glory, Easy Living, Experiment Perilous, and Berlin Express. Vittorio De Sica: Shoeshine, Bicycle Thieves, Heart and Soul, The Children Are Watching Us, The Gates of Heaven, A Garibaldian in the Convent, Teresa Venerdì, Maddalena, Zero for Conduct, and Red Roses. Roberto Rossellini: Rome, Open City, Paisan, Germany, Year Zero, L'Amore, The White Ship, A Pilot Returns, and The Man with a Cross. Ernst Lubitsch: To Be or Not to Be, The Shop Around the Corner, Heaven Can Wait, Cluny Brown, That Uncertain Feeling, A Royal Scandal, and That Lady in Ermine. Powell and Pressburger: The Life and Death of Colonel Blimp, The Red Shoes, A Canterbury Tale, I Know Where I'm Going!, A Matter of Life and Death, Black Narcissus, Contraband, 49th Parallel, One of Our Aircraft Is Missing, The Small Back Room, and An Airman's Letter to His Mother. Michael Curtiz: Casablanca, Mildred Pierce, The Sea Wolf, Yankee Doodle Dandy, This Is the Army, Night and Day, Romance on the High Seas, Santa Fe Trail, Virginia City, The Sea Hawk, Captains of the Clouds, Dive Bomber, Life with Father, Mission to Moscow, Janie, Passage to Marseille, Roughly Speaking, The Unsuspected, My Dream Is Yours, Flamingo Road, and The Lady Takes a Sailor. John M. Stahl: Leave Her to Heaven, The Foxes of Harrow, The Eve of St. Mark, Our Wife, Immortal Sergeant, Holy Matrimony, The Keys of the Kingdom, The Walls of Jericho, Father Was a Fullback, and Oh, You Beautiful Doll. Billy Wilder: The Major and the Minor, The Lost Weekend, Double Indemnity, Five Graves to Cairo, Death Mills, The Emperor Waltz, and A Foreign Affair. Nicholas Ray: They Live by Night, A Roseanna McCoy, Woman's Secret, and Knock on Any Door. Elia Kazan: A Tree Grows in Brooklyn, Pinky, Boomerang, The Sea of Grass, and Gentleman's Agreement. Frank Capra: It’s a Wonderful Life, Arsenic and Old Lace, State of the Union, and Meet John Doe. Carol Reed: The Third Man, Odd Man Out, The Fallen Idol, The Stars Look Down, Girl in the News, A Letter from Home, Kipps, The Young Mr. Pitt, Night Train to Munich, The New Lot, and The Way Ahead. David Lean: In Which We Serve, This Happy Breed, Brief Encounter, Blithe Spirit, Oliver Twist, Great Expectations, and The Passionate Friends. Mervyn LeRoy: Waterloo Bridge, Random Harvest, Little Women, East Side, West Side, Without Reservations, Any Number Can Play, The House I Live In, Madame Curie, Thirty Seconds Over Tokyo, Blossoms in the Dust, Johnny Eager, Escape, and Homecoming. Vincente Minnelli: Meet Me in St. Louis, I Dood It, Cabin in the Sky, Yolanda and the Thief, The Clock, Undercurrent, Ziegfeld Follies, The Pirate, Madame Bovary, and Till the Clouds Roll By. Charles Walters: Ziegfeld Follies, Easter Parade, Good News, and The Barkleys of Broadway. Leo McCarey: The Bells of St. Mary's and Once Upon a Honeymoon. Jean Renoir: The Woman on the Beach, The Southerner, The Diary of a Chambermaid, Swamp Water, and This Land is Mine. Anthony Mann: Moonlight in Havana, Sing Your Way Home, My Best Gal, Nobody's Darling, Dr. Broadway, Strangers in the Night, Bamboo Blonde, Raw Deal, T-Men, Desperate, Railroaded!, Border Incident, Reign of Terror, Two O'Clock Courage, and Strange Impersonation. King Vidor: The Fountainhead, On Our Merry Way, Duel in the Sun, An American Romance, Comrade X, Northwest Passage, H. M. Pulham, Esq., and Beyond the Forest. Robert Rossen: All The King’s Men, Johnny O'Clock, The Strange Love of Martha Ivers, A Child Is Born, Edge of Darkness, Out of the Fog, Blues in the Night, A Walk in the Sun, The Undercover Man, Desert Fury, and Body and Soul. Fred Zinnemann: The Search, Kid Glove Killer, Eyes in the Night, The Clock, Act of Violence, The Seventh Cross, Little Mister Jim, and My Brother Talks to Horses. Robert Wise: Criminal Court, The Curse of the Cat People, Mademoiselle Fifi, The Body Snatcher, Born to Kill, The Set-Up, A Game of Death, Blood on the Moon, and Mystery in Mexico. Akira Kurosawa: Sanshiro Sugata, Sanshiro Sugata Part II, The Most Beautiful, One Wonderful Sunday, Drunken Angel, The Quiet Duel, Stray Dog, The Men Who Tread on the Tiger's Tail, and No Regrets for Our Youth. Otto Preminger: Laura, Fallen Angel, Daisy Kenyon, Forever Amber, Whirl Pool, The Fan, Margin for Error, In the Meantime, Darling, and Centennial Summer. Jules Dassin: Thieves' Highway, A Letter for Evie, Brute Force, Two Smart People, The Naked City, Young Ideas, The Canterville Ghost, Nazi Agent, The Tell-Tale Heart, The Affairs of Martha, and Reunion in France. Charlie Chaplin: The Great Dictator, and Monsieur Verdoux. George Stevens: The More the Merrier, The Talk of the Town, Penny Serenade, Woman of the Year, Vigil in the Night, On Our Merry Way, The Nazi Plan, and I Remember Mama. Yasujirô Ozu: Late Spring, Brothers and Sisters of the Toda Family, A Hen in the Wind, There Was a Father, and Record of a Tenement Gentleman. Fritz Lang: Secret Beyond the Door, The Woman in the Window, Scarlet Street, Cloak and Dagger, Man Hunt, Ministry of Fear, Hangmen Also Die!, Western Union, Moon Tide, and The Return of Frank James. Raoul Walsh: High Sierra, White Heat, Colorado Territory, Fighter Squadron, Silver River, Pursued, The Man I Love, Cheyenne, Uncertain Glory, Objective, Burma!, Manpower, Desperate Journey, Northern Pursuit, The Strawberry Blonde, They Died with Their Boots On, Gentleman Jim, Dark Command, and They Drive by Night. Vincent Sherman: Nora Prentiss, Mr. Skeffington, Adventures of Don Juan, The Unfaithful, The Hard Way, Old Acquaintance, The Hasty Heart, In our Time, Pillow to Post, Janie Gets Married, Saturday's Children, The Man Who Talked Too Much, Underground, Flight from Destiny, Across the Pacific, and All Through the Night. Anatole Litvak: The Snake Pit, City for Conquest, The Battle of Russia, Why We Fight, Sorry, Wrong Number, This Above All, The Long Night, All This, and Heaven Too, and Castle on the Hudson. Max Ophüls: Caught, The Reckless Moment, The Exile, Letter from an Unknown Woman, Vendetta, and Sarajevo. Charles Vidor: Gilda, Cover Girl, Over 21, The Loves of Carmen, The Tuttles of Tahiti, The Desperadoes, Together Again, A Song to Remember, The Man from Colorado, New York Town, Ladies in Retirement, My Son, My Son!, and The Lady in Question. Edgar G. Ulmer: Detour, Isle of Forgotten Sins, Girls in Chains, Tomorrow We Live, Club Havana, The Strange Woman, My Son, the Hero, Jive Junction, Strange Illusion, Bluebeard, Her Sister's Secret, The Pirates of Capri, Ruthless, The Wife of Monte Cristo, and Carnegie Hall. Victor Fleming: Dr. Jekyll and Mr. Hyde, Joan of Arc, Adventure, A Guy Named Joe, and Tortilla Flat. Joseph L. Mankiewicz: A Letter to Three Wives, Escape, House of Strangers, The Late George Apley, The Ghost and Mrs. Muir, Dragonwyck, and Somewhere in the Night. Robert Bresson: Angels of Sin and Les Dames du Bois de Boulogne. Luis Buñuel: Gran Casino and The Great Madcap. Fei Mu: Spring in a Small Town, Confucius, The Beauty, A Wedding in the Dream, The Magnificent Country, Songs of Ancient China, and The Little Cowheard. Kenji Mizoguchi: The 47 Ronin, A Woman of Osaka, Flame of My Love, The Love of the Actress Sumako, Victory Song, Utamaro and His Five Women, Women of the Night, Victory of Women, The Famous Sword Bijomaru, Three Generations of Danjuro, The Life of an Actor, and Miyamoto Musashi. Douglas Sirk: Lured, Sleep, My Love, Hitler's Madman, Summer Storm, A Scandal in Paris, Shockproof, and Slightly French. René Clément: The Battle of the Rails, The Damned, Mr. Orchid, and The Walls of Malapaga. Robert Hamer: Kind Hearts and Coronets, The Spider and the Fly, It Always Rains on Sunday, San Demetrio London, and Pink String and Sealing Wax. Robert Siodmak: Criss Cross, Cry of The City, Dark Mirror, Phantom Lady, The Killers, The Spiral Staircase, Christmas Holiday, The Strange Affair of Uncle Harry, Time Out of Mind, Son of Dracula, The Suspect, The Night Before the Divorce, Someone to Remember, Cobra Woman, The File on Thelma Jordon, The Great Sinner, West Point Widow, My Heart Belongs to Daddy, and Fly-by-Night. Humphrey Jennings: Spring Offensive, Welfare of the Workers, London Can Take It!, A Diary for Timothy, This Is England, Words for Battle, Fires Were Started, Listen to Britain, The Silent Village, The True Story of Lili Marlene, The Eighty Days, Myra Hess, A Defeated People, The Cumberland Story, and The Dim Little Island. William Dieterle: Dr. Ehrlich's Magic Bullet, Kismet, This Love of Ours, Syncopation, The Searching Wind, Rope of Sand, Portrait of Jennie, The Accused, I'll Be Seeing You, A Dispatch from Reuters, The Devil and Daniel Webster, Tennessee Johnson, and Love Letters. Edmund Goulding: The Razor's Edge, Nightmare Alley, The Shocking Miss Pilgrim, Everybody Does It, Claudia, Of Human Bondage, Flight from Folly, Forever and a Day, Old Acquaintance, The Constant Nymph, The Great Lie, and Til We Meet Again. Luchino Visconti: Ossessione and La Terra Trema. Ernest B. Schoedsack: Dr. Cyclops and Mighty Joe Young. Roy Del Ruth: It Happened on 5th Avenue, Red Light, The Babe Ruth Story, The Chocolate Soldier, Topper Returns, He Married His Wife, Du Barry Was a Lady, and Ziegfeld Follies. Rene Clair: And Then There Were None, I Married a Witch, Man About Town,It Happened Tomorrow, The Flame of New Orleans, and Forever and a Day. John Cromwell: Victory, Abe Lincoln in Illinois, So Ends Our Night, Son of Fury: The Story of Benjamin Blake, Anna and the King of Siam, Dead Reckoning, The Enchanted Cottage, Since You Went Away, and Night Song. Richard Fleischer: Trapped, Make Mine Laughs, The Clay Pigeon, Follow Me Quietly, Banjo, Design for Death, So This Is New York, Bodyguard, and Child of Divorce. Norman Z. McLeod: Jackass Mail, The Secret Life of Walter Mitty, Panama Hattie, The Paleface, and Little Men.
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